Arty On

As we get closer and closer to the start of another school year, a little voice begins to chime in to my personal thoughts and planning..."I will do this", "I will not do that".  I begin making tiny promises to myself about how I will approach the new school year to make it even more dynamic than the last.  After a summer of time spent rejuvenating and clearing my mind, this little voice wakes up to reflect and give some perspective.  It tells me what to stop doing and what to start doing in my teaching practice and it won't shut up.  So here are a few "beginnings" and "ends" I've settled on to guide my daily practice.  Simple changes in thinking, routines or habits that I believe will make a big difference in our art studio this year. For me, this school year will be the end of: Setting meaningless limits on students that stifle their creativity.  Making "yes" and "why not" a stronger part of my (and my studen...

I love it when students keep me accountable. While I am trying my best to run a very student-centered, choice-based art studio, I am finding that I sometimes start to slide back into my teacher-centered ways.  Letting go of control is harder than I expected and the classroom can quickly turn into a 3-ring circus where the teacher is the ringmaster commanding full attention rather than directing it towards the real stars of the show (students, aka, trapeze artists, clowns, contortionists, lions...).  I mostly catch myself before it becomes the "Dana Show", but am also trying to train my students to let me know if I'm drifting in my purpose. From the beginning of last year, I shared with students a personal goal during their class periods: to talk less and let them work more!  I have trained myself to be aware of when "the wiggles" set in and I've talked too long.  I try to limit whole class discussions/reflections to 5 minutes maximum.  I know the student...

When I first started teaching using the PYP framework, I didn't really know what I was getting into.  I was fortunate enough to be hired by a school who was willing to take a teacher with no experience in the PYP, support me with professional development and mentors, and surround me with knowledgeable colleagues to observe and learn from. I would say one of the best, but least talked about, advantages of teaching art using the PYP framework is the ability to focus on the emergent curriculum .  " Emergent curriculum is based on the premise that children are most successful at learning when curriculum experiences account for their interests, strengths, needs, and lived realities.   In emergent curriculum, both adults and children have initiative and make decisions. This power to impact curriculum decisions and directions means that sometimes curriculum is also negotiated between what interests children and what adults know is necessary for children’s education and ...

"It's like I'm a real artist today." (G3 student comment as she made the choice to use an easel to create for the first time.) "Wow, everything is so organized.  We should keep it that way." (KG student commenting to his peers as the class took a tour and observed all of the new materials available to use.) "So I can spend the next 9 classes on just ONE artwork if I want to?" (G5 student considering the options available to her as she decides how best to spend her time in the art studio.) "I like it this year, because we used to save all of the good art materials in the store room, and now we get to use them!" (Art Teaching Assistant comment about the variety of materials available at one time for students to create with.) As students begin the new school year and are introduced to our choice-based, student-centered approach in the art studio, their comments say it all.  The overall feeling to the start of the year...

Ever feel like you're in a funk?  Like there's something not happening that should be?  Not that anything is wrong, but just that something is...missing. I had this lingering feeling last year about my teaching practice.  I was teaching PYP visual arts at the International School of Phnom Penh (ISPP) and after 5 years of experience, getting to know the PYP, establishing a rapport with my students and colleagues, I had the premonition that it was time for a big change.  Not in schools, not in what I was teaching, but in HOW I was teaching it.  I realized that I was stressing out and spending my time planning Units of Inquiry that were lacking...something.  That sometimes, despite my best efforts to allow for student choice and voice, the exhibitions of student pieces ended up lacking...something.  That even when I had a super supportive admin team that appreciated both the process and product of art making, our curriculum was lacking...something....